Clear-sighted and well informed opinion on the culture of our past, present and future
Because of the death of Ian Curtis and the nature of the band's last recordings, Joy Division's Closer is an album around which a stillness has settled. In truth, says Jonathan Wright as he talks to Peter Hook and Paul Morley, no band evolved so rapidly. This feature was originally published on 13/07/2020
Keith Kahn-Harris argues that the Back To The Beginning show highlighted the pivotal role that the imperfections of the body play in metal. Live photographs courtesy of Ross Halfin. With thanks to Jasmine Hazel Shadrack
Whether working in Blaxploitation, horror or sc-fi, auteur Larry Cohen was often battling against constraints created by money, time and his own skill set, says Mat Colegate, but ultimately he trained a satirical eye on America few could match
The mainstream music biz reckons that devoted fans are the golden geese that'll keep laying, and the streaming services are about to get in on the grift. Eamonn Forde explains why this makes no business sense
Oasis are back, and a publishing supernova of new biographies examines the Manchester band... but for most of their lifespan, they were appalling. Fergal Kinney asks how do writers confront Oasis after their peak
A small levy on the price of tickets for large capacity gigs would be revolutionary in protecting grassroots, finds Dan McCarthy. So why is there a delay in the government making this law?
Perturbed by a study that found young women in the north of England are struggling to feel musical, Lottie Brazier set out to speak to the promoters, artists and managers who are helping shift the dial in the region
As Underworld's discography from 1994 to 2016 receives a 'perfect sound' reissue, Darran Anderson surveys how their frantic, beautiful music both embodied the overwhelm of city life and offered a rapturous escape from it
Oasis are back, and a publishing supernova of new biographies examines the Manchester band... but for most of their lifespan, they were appalling. Fergal Kinney asks how do writers confront Oasis after their peak
Perturbed by a study that found young women in the north of England are struggling to feel musical, Lottie Brazier set out to speak to the promoters, artists and managers who are helping shift the dial in the region
As Underworld's discography from 1994 to 2016 receives a 'perfect sound' reissue, Darran Anderson surveys how their frantic, beautiful music both embodied the overwhelm of city life and offered a rapturous escape from it
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory
In April's essay, Jonn Elledge explains why everything you thought you knew about the popular self-sufficiency sitcom, first broadcast 50 years ago this week, is wrong.
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
Nobody wanted what The Soft Boys were selling in 1980, but as David Bennun recounts, their superb swan song, Underwater Moonlight, made them a Velvet Underground for new generations of jangle and psych bands. This feature was first published on 29/06/20
This relatively obscure, nihilistic and resigned second album by a near forgotten Mancunian post punk group was released decades before the birth of writer Lina Adams in the early 00s; so why does it speak so clearly to her life today?
Nobody wanted what The Soft Boys were selling in 1980, but as David Bennun recounts, their superb swan song, Underwater Moonlight, made them a Velvet Underground for new generations of jangle and psych bands. This feature was first published on 29/06/20
This relatively obscure, nihilistic and resigned second album by a near forgotten Mancunian post punk group was released decades before the birth of writer Lina Adams in the early 00s; so why does it speak so clearly to her life today?
Sade superfan Alex Macpherson celebrates the release of a career-spanning box set by selecting lesser known gems from their back catalogue
Debussy sparked a punk moment for classical music, says Phil Hebblethwaite. He uncluttered it and ensured, as the 20th century began, that none of the old rules applied. He died 100 years ago, after which his radical sounds weaved their way into almost everything we hear today
With the UK leg of their European tour drawing to a close with sets in Bristol tonight and on the Quietus' Desertfest stage tomorrow, Lee Buford of the none-bleaker American sludge duo picks out 13 all-time top records and pens us his own Baker's Dozen
Kjetil Nernes and Karin Park decided recently to take Årabrot forward into a new era. Dannii Leivers met Karin to talk about how her glittering pop career is influencing their new album, Norwegian Gothic, which is streamed here in full. Årabrot portraits by Olle Lundin