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Black Sky Thinking
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Black Sky Thinking
My Name Is Prince: On Race, Identity & The End Of The Love Symbol
May 2020 marks two decades since Prince reclaimed his real name after living as a symbol for se...
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Black Sky Thinking
Music Is A Memory Machine, By David Toop
David Toop at Meakusma Festival Music is a memory machine. I feel the conviction of this from ...
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Black Sky Thinking
How The Music Industry Took On Napster And (Not Everyone) Lost
20 years ago this May, Metallica became the unwitting poster boys for the War On Piracy when th...
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Black Sky Thinking
Stockpiled Sounds & The Consumption Of Music In Covid-19 Isolation
As the old saying goes, my desires… are unconventional. Specifically, I've long dreamed of a sc...
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Black Sky Thinking
How Coronavirus Is Killing The Music You Love
In the midst of confusion and fear about the potential impacts of coronavirus on global health,...
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Black Sky Thinking
Cowley At The Glory Hole: The Art Of Queer Liberation
With his panting breath and dripping sweat infused in each page of his memoir, Patrick Cowley d...
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Black Sky Thinking
Culture Wars On The Cobbles: Corrie At 10,000 Episodes
As is customary when you sit a group of people in their twenties from the North West together, ...
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Black Sky Thinking
We're Free? What Are You Being Served Tells Us About Brexit
As the UK slips its European moorings and embarks on a voyage with a destination in an idealise...
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Black Sky Thinking
Why Wire Were The New Beatles, by Nicholas Lezard
I first became Wire-conscious in 1979, when an A & R man from EMI came to listen to the cra...
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Black Sky Thinking
Listen Deeper: The Strange Case Of Iannis Xenakis & Pauline Oliveros
There tends to be only incidental conversation between so-called academic and popular music. An...
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