A Quietus Interview:
James Holden
Black Sky Thinking
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Black Sky Thinking
The MP3 At 25: How A Digital File Dynamited The Music Industry
It was really just a name change because the technology already existed, but it was to become t...
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Tom Meighan & Why Music Fans Have To Take Violence Against Women Seriously
You might not listen to Kasabian, but millions do - they're an astoundingly, if bafflingly, pop...
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Th'infernal Drone: In Praise Of The Hurdy-Gurdy
A hurdy-gurdy sounds like medieval Sunn O)); like a parade come to collect you for the eternal ...
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Glastonbury At 50 & The Loss Of The Communal Under Coronavirus
"The main thing to remember, and the thing I kept trying to think of to stop myself from being ...
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Why Monuments Are More Than Racist Symbols, By Algiers
The United States – and its Anglo-European conspirators – has been striding headlong toward its...
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Build, Connect, Educate: Why The UK Needs To Examine Its Own Racism
Photos: Wikimedia Commons / dsgetch Tuesday, June 2 was a big day for black squares. But in my ...
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Letting The Days Go: Nostalgia In The Time Of Coronavirus
I've pondered CD cases more than I would have anticipated during a global pandemic. Rewinding b...
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The Many Faces Of Housekeeping: How Wealth & Privilege Are Distorting Underground Music
The importance of a piece of music can sometimes be disconnected entirely from the sounds it co...
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My Name Is Prince: On Race, Identity & The End Of The Love Symbol
May 2020 marks two decades since Prince reclaimed his real name after living as a symbol for se...
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Music Is A Memory Machine, By David Toop
David Toop at Meakusma Festival Music is a memory machine. I feel the conviction of this from ...
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