With his searing live set at this year’s Acid Horse newly released to tQ subscribers, M.L. Deathman speaks to Irina Shtreis about ramping up the tempo, cinematic influences from Westerns to giallo, and providing an alternative to damp English dread
In the first of our subscriber-exclusive Low Culture essays, Adelle Stripe opens her battered copy of Julian Cope's The Modern Antiquarian and argues that this guide to Britain's neolithic remains has a strikingly modern relevance