A classic of film scores, Albinoni’s Adagio isn’t a lost baroque masterpiece; it’s a spoof composed by his biographer in the 1950s. Harmless fun, asks Phil Hebblethwaite, or a savage exposé of classical music’s obsession with authenticity and dead men?
With their soundtrack to Peter Strickland's new film The Duke Of Burgundy released this week, Cats' Eyes - The Horrors' Faris Badwan and composer Rachel Zeffira - run through their movie collection with Kiran Acharya to pick out their 13 top scores and soundtracks
Leading light of the Berlin underground Gudrun Gut guides Jeremy Allen through 13 favourite records - she wanted them all to be Neu! but as there weren't enough, there's the Bad Seeds, Throbbing Gristle, Lana Del Rey and much more. Gudrun Gut portrait by Mv Kummer