On the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream
Bobby Krlic may well be primarily known as an electronic music producer, but he grew up a heavy metal obsessive. As commissioned by Kevin Martin as part of our Bug Week, he tells John Doran about the 13 metal albums he loved the most when he was young