The Smiths’ last studio album was their most ambitious, adventurous and experimental, too. Thirty years on, Ben Hewitt looks back on the forward-thinking record that could have been the start of a new chapter, rather than a full-stop
Lancashire rapper and dancer Blackhaine explores class, mortality and ennui through an unorthodox take on UK drill. Ahead of his performance at WOS Festival, he speaks with Alastair Shuttleworth about the world-building across his records to date
At this year's Roadburn Festival in Tilburg, Toby Cook finds both a panacea to and projection of the state of contemporary politics, witnesses the sonic ferocity of Mysticum and appreciates the truly psychedelic nature of Gnod. (Photographs by Justin Ligtvoet and Paul Verhagen respectively)