Taken from the newly released Extreme Metaphors, collecting interviews with J.G. Ballard over his forty-eight year career, British author Toby Litt introduces an extract from his 2006 interview with the 'Seer of Shepperton' on fascism and his then-new novel Kingdom Come
In Cabaret Voltaire, Chris Watson used tape loops and field recordings as a pioneer of industrial music. Now, he is a sound recordist for BBC nature programmes who also works on installations, films and his own albums. He speaks to Luke Turner about trying to capture the sound of the world in a very noisy modern age