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Don’t Look Now: Oscar Hopeful Quo Vadis Aida? Through A Bosnian Lens

Sundance 2021: On The Poignancy Of Two Accidental Pandemic Films

Making The Case For Tearing Down Democratic Systems In ‘Boys State’

“How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire

Call Of The Wild: Inside ‘Wolfwalkers’, The Game-Changing Irish Animation

Never Come Back: Reclaiming Roots In ‘Monsoon’ And ‘Residue’

Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester

You Can Be Anything: On Oscar Micheaux, History’s Most Prolific African American Filmmaker

O Captain: Is Robert Altman’s Popeye Still A Failure 40 Years On?

Unprecedented Times: On ‘The Long Good Friday’ And A Vulnerable Britain

Eyes Wide Open: Perception And Reality In ‘Memento’ At 20

Dangerous Liaisons: The Legacy Of ‘Dressed To Kill’ At 40

Everyday Magic: ‘Whisper Of The Heart’ And The Experience Of Wonder

The Killing Joke: War Comedy In ‘Da 5 Bloods’ And ‘Apocalypse Now’

Nowhere Man: ‘Slacker’ At 30 And The Evolution Of The Conspiracy Theorist

Be Kind, Rewind: Lessons From The Cross Pollination Of The 1960s And 1970s

Because The Night: The Timeliness Of Chantal Akerman’s ‘Toute Une Nuit’

A New History: Mark Cousins On His 14-Hour Odyssey ‘Women Make Film’

Signs Of Life: On The Transformative Power Of ‘Yi Yi’ 20 Years On

Night Of The Hunters: Guy Maddin On Resurrecting Federico Fellini

Road to Nowhere: How ‘Dancer In The Dark’ Spelled The End For Lars Von Trier

A Cinematic Lockdown: Confinement In the Films Of Alfred Hitchcock

Dream On: Could ‘9 To 5’ Still Exist, 40 Years Later?

MUBI Hosts Free Preview Of Pablo Larraín’s New Film

Weapon Of Shame: Filmmaker Oliver Hermanus On ‘Moffie’

Scream Queens: Will 2020 Be The Year Of Feminist Horror?

The Quietus’ Top 30 Life-Changing Films

In Good Faith: Rose Glass On Horror Debut ‘Saint Maud’

Memory Palace: On ‘Ask Any Buddy’ And The Golden Age Of Gay Porn

Join A Studio Ghibli Viewing With Experts

Matters Of The Heart: 20 Years On, Is High Fidelity The Best Rom-Com Ever Made?

Haunted House: 40 Years Of ‘The Changeling’

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