Daniel Fraser speaks to Simon Critchley about the architecture of memory and a move toward its obliteration, the culture of stigma surrounding death in our current civilisation (as well as his distaste for that term) and his recent genre-bending philosophical treatise-cum-novel Memory Theatre
Slapp Happy's progressive influence straddled both sides of the punk rock interregnum, says Fergal Kinney reviewing a 50th anniversary reissue of Sort Of, and their influence can be felt as much in Faust as in Black Country, New Road