Baker's Dozen

Artists discuss the 13 records that shaped their lives

3. Sandy DennyThe North Star Grassman And The Ravens

English folk rock is probably more my thing than anyone else in Neurosis. It’s funny because as a young man I shooed away folk, country, Americana, European folk… all that stuff just seemed corny to me. I was just into hard rock, heavy metal, punk rock, strange-sounding industrial and the weirdest stuff I could find. But then I started hearing music from other cultures – Indian classical, Tibetan chanting, Mongolian throat singing – all of this interesting folk music. That led me back around to British Isles folk music, Celtic music and the Celtic rock revival of the 60s and 70s. So I took the long way home essentially. It was those Celtic ballads that travelled to the Appalachian mountains and started drinking a different type of whiskey and then changed into something else. That’s how we ended up with country and western plus bluegrass in America. I went deep into Irish folk music. I really wanted to learn how to play uilleann pipes and I took some Scottish Highland pipe lessons for a little bit but I didn’t stick with it, but that led me to Sandy Denny. I went, ‘Oh yeah, I know that voice, that’s on Led Zeppelin – ‘The Battle Of Evermore’, classic.’ It’s funny how many people love Led Zeppelin, yet don’t know who Sandy Denny is. It’s almost a crime. I got Liege And Lief, with Richard Thompson on guitar and Sandy Denny on vocals, just incredible stuff. It was really pushing the boundaries at the time I think. And then discovering her work with the Strawbs and Fotheringay and then her solo material. I love it all, I love her voice. I had a hard time choosing this album. I knew I wanted her on this list, but it’s difficult to choose between North Star Grassman, those Fairport LPs and the BBC Sessions album because they’re all wonderful in different ways, but I like North Star because of how more intimate the recording of her vocals seems.

Selected in other Baker’s Dozens: Richard Norris
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