A Spoon Baker's Dozen: The Texan Connections Of Julian Cope | Page 14 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

13. Eddy Current Suppression RingPrimary Colours 

When I discovered them, we went to Australia shortly after and I said ‘can we get these guys to open for us?’ I was quickly told, ‘no, they’re way bigger than you in Australia. Don’t be silly’. We haven’t played together. I got to see them once at the Cake Shop in New York. I don’t know what it is but this record kind of reminds me of the sort of rawest parts of AC/DC or the most loose parts of Pink Flag. The singer is pretty unhinged. When I saw them play, it was a thing where you could see the singer looking at Mikey, the main guy and guitar player who I think writes all the music. The singer was watching him to find out when he was meant to sing because he didn’t really have that straight. It was kind of a thing where Mikey would nod and the singer would start singing. Sort of a go and stop kind of thing. I don’t think anyone particular obsessed over the form and lyrics of these songs. Maybe they did but it doesn’t sound like they did and there’s something great about that. I think they recorded this record in a day. And it’s got that vibe. It’s loose and it’s powerful and punk rock and totally real. 

Previous

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today