Time Portals: Sophie Ellis-Bextor's Favourite Albums | Page 9 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

8. Daft PunkDiscovery

Probably everybody at that time was influenced by Daft Punk, it was confident and shiny and had big hooks and sounded sophisticated and cool. It’s a really good example of my epiphany that dance music can be good, really good. When I did ‘Groovejet’ I didn’t like or understand dance music, house music, garage music, so I really discovered it back to front. ‘Groovejet’ took me by the hand into clubs and opened my mind to it all. I realised that DJs weren’t playing one song after the other and were taking you on a journey. If you were anybody making anything poppy or dance-y then I’m sure that Daft Punk were mentioned in your studio.

So did you have a few good years of exploring clubbing?

Yeah, and it might not have been that solo of a journey as dance music was becoming much more commercialised anyway, it was more common that dance songs were crossing over to becoming household classics, so I think it was opening up for lots of people. But it was about my confidence in what kind of a singer I wanted to be. So long as it resonates with me and I’m doing it for the right reasons I don’t have to stick to one genre at all. I’ve always been a little bit of a kid in a sweet shop really.

Selected in other Baker’s Dozens: Georgia, , Lorenzo Senni, Bob Mould
PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now