Versions 13.0: Shirley Manson's Favourite Albums | Page 9 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

8. Cocteau TwinsHead Over Heels

When I heard Elizabeth Fraser for the first time, first of all I was so excited that they were based in Scotland and hearing her sing felt like I was in touch with alien life [laughs]. I heard it and I didn’t even understand what she was saying but I could feel what she’s saying. It was so emotive and so extraordinary. 

I felt like every time I listened – and I still have the same reaction – when I listen to these records I feel like I’m literally being transported in angel wings. I find it euphoric to listen to and nobody’s ever sounded like her before. She’s totally unique and just this extraordinary talent.  
 Funnily enough, I once met her at a Nick Cave concert in Edinburgh. She was there and I was just so in awe of this incredible woman – I also loved that she was so shy and so unassuming. She wasn’t really a front person, more of an instrument using her voice. 
 I’m not a religious person, but I always think it’s like music from the Gods. It’s not of this world. I want them played at my funeral. I always say that to my husband: ‘Play the Cocteau Twins all the way through my funeral, that’s all I want’ [laughs].

Selected in other Baker’s Dozens: Pat Nevin
PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now