Early Music: Sarah Davachi's Favourite Albums | Page 4 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

3. Mike OldfieldTubular Bells

I guess this is something that a lot of people have a connection to via a certain film, but when did you first discover it?

I didn’t watch The Exorcist until quite recently because I thought it would be completely terrifying. Actually, the first time I saw it, I fell asleep during it because I thought it was quite boring. I was like, ‘I thought this was going to be terrifying’, and then I watched it again a second time, I was like, ‘Oh, this is legit horrifying’. But yeah, I didn’t come to it from that and when I hear Tubular Bells, I don’t hear that context in it. I got into Mike Oldfield around the same time that I was getting into a lot of other British prog stuff, and obviously I had heard of Tubular Bells.

I don’t know if it’s in a recording, but there is a video on YouTube of a performance of it where Fred Frith is playing guitar, and I studied with him at Mills. So maybe it was just out of interest of what he was connected to that I bought a reissue version of the CD of Tubular Bells. There were these demos on it from the recording that are just some of my favourite music that I’ve ever heard. I think they’re just so interesting, in terms of the structure, the songwriting and the production. Hearing the massive scale of the album, with it consisting of these two side-long tracks, and hearing all the different places that they go to, the instrumentation and the fact that he does it all himself is really inspiring.

Selected in other Baker’s Dozens: The Anchoress
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