Overlapping Terrain: Richard Skelton's Favourite Music | Page 10 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

9. Henryk GóreckiSymphony No. 3

I find that I resonate only with certain classical musics. I would say mostly choral stuff, which we’re going to come on to later. If we’re looking at what’s had a really formative influence on me, musically, it’s very simple. It’s always been more about texture, repetition and hypnosis and less about variation or change. Symphony No.3 has these long, long drawn-out notes overlapping each other and ascending and descending. To me it’s very much a drone piece. And then, with the addition of Dawn Upshaw’s voice, it creates an incredibly moving experience. In honesty I can’t listen to this piece very often because I just find it so overwhelming, and that’s just the music on its own, without even thinking about the context that it has – the added gravitas that is brought to it, in reflecting on the Holocaust.

Selected in other Baker’s Dozens: Foals, Bat for Lashes
PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today