Baker's Dozen

Artists discuss the 13 records that shaped their lives

11. Steve ReichPiano Phase

This had a direct effect on Pythagorean Dream, in the way I was working with loops. This piece starts with single riff, looped by a piano player. The second piano player follows and goes out of phase, so it doesn’t sound like a loop. I was thinking of that piece when I made Pythagorean Dream. I go through three loop delays, one is set to eight seconds, one is nine and one is ten. The loop effect builds up to become continuous melody that isn’t repeating. That cascading phasing riff effect was directly inspired by Steve Reich’s Piano Phase. But that overall effect of one instrument sounding like one hundred still came from Terry Riley.

PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today