Peculiar Relationships: Neil Gaiman’s Favourite Albums | Page 13 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

12. Michael NymanDrowning By Numbers

As I get older, I’m finding it harder and harder to write with stuff with lyrics in the background, because I listen to them more and more. In the old days I would happily write and write fiction, with stuff that had good words. And if it didn’t have good words, it kind of bored me. And Nyman was the first stuff that I found where I could just do it. It was great. Now, more and more I crave stuff without words and go back to the stuff that I loved. And the Michael Nyman Peter Greenaway film soundtracks, for me, were the most interesting stuff that Nyman ever did. I like his other stuff, but there’s something weird about them, where they were both classical and modern. They were taking cut-ups of tiny classical motifs and then repeating and repeating them. You’ve still got these classical motifs going on but now what you’re listening to is absolutely and utterly modern music. Drowning By Numbers is my favourite of the Peter Greenaway films, so I have a particular fondness for the music. Even though ‘Angelfish Decay’ on A Zed & Two Noughts is probably a better piece of music than anything on the Drowning By Numbers soundtrack… but Drowning By Numbers I love.

Selected in other Baker’s Dozens: Aidan Moffat
PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today