9. The WhoLive At Leeds
![](https://thequietus.com/app/uploads/2024/03/The_Who_1394118243.jpg)
Now, D. Boon went all trebly for Minutemen, but actually he was the biggest fan of Townsend’s playing style. He loved Townsend’s slashing rhythm guitar. And also that record had that bass/guitar interplay that we always tried to replicate in Minutemen.
George Hurley learnt how to drum from listening The Who’s A Quick One; and the first song I wrote before Minutemen I wrote after listening A Quick One. It was terrible. It was called ‘Mr Bass King From Other Space’: it was about blowing away the band with a bass solo. I showed it to D. Boon and he laughed his fuckin’ ass off, man. But A Quick One also gave me the idea to make my operas.
But, for us, The Who weren’t an arena rock band – it reminded us more of punk. The 60s part, anyway – we didn’t like their later stuff. It had "the spirit". We loved the sound and feel of Live At Leeds: especially ‘Young Man Blues’. It was so in your face. We loved "in your face": just like with Brother Lou [Reed], man – it was like his voice is in your fucking brain.