Bleak Psychedelia: Michael Gira Of Swans' Favourite Albums | Page 3 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

2.

Kraftwerk – The Man-Machine

Well, this is one of any I could have chosen. I’m not fond of when they started using computers, like on Computer World. I found it interesting to learn in a recent biopic that those drum sounds were actually played with chopsticks. In the punk days – when did this come out, like ’78? – I listened to it obsessively, not for any reason, I just thought the songs were beautiful and that it was a new way of making music. But that was just secondary to how beautiful the songs were.

Did any of those sounds filter into how you made music?

I would say that it influenced the early way of making music with Swans. It’s changed, obviously, considerably over the years, but in the early days it was very diverse and ranged from The Stooges to Throbbing Gristle to Brian Eno, and Kraftwerk. Just people using sound as a way of making music. Obviously, I was a bit more visceral, but that was inspirational to me. It was very liberating, the idea of abandoning structures and making something immediate.

Selected in other Baker’s Dozens: Lord Spikeheart, Tom Ravenscroft
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