Shields Against The World: Mat Osman's Baker's Dozen | Page 12 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

I heard this when I was writing The Ghost Theatre and there’s this line in it, “the rooftops are for dreamers” that really chimed with the book. They’re intrinsically linked to me, this idea of running loose on the rooftops of London. It’s such a fantasy of mine, the city laid out before you and all those kinds of things. It’s just a really joyful song and I think that’s incredibly hard to do. Writing sad music is easier or maybe it just comes more naturally to me. It’s a song about audacity, about taking pleasure in your powers. It does exactly the same thing that ‘Nothing But A Heartache’ does for me, it’s like armour. It’s about getting away with it and it’s very hard for me not to think of my entire career as getting away with it. When my grandfather was still alive I would go and see him down in Brighton. He’d always ask me, ‘so everything’s still going well with the music? And they’re still paying you for it?’ I could see to his mind that somehow I was scamming this, somehow I’d managed to fool people into paying me, which he would have respected entirely – he loved a good scam. But with this song, the joy of stealing a living, which is what a jewel thief does, appeals to me entirely.

PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now