2. Jorge BenA Tabua de Esmeralda
This one is an old classic: it’s my foundation. Each song is a wonder. Each song tells a story. What sums it up for me is that if I’m happy I put it on and I’m even happier; if I’m sad I put it on and it makes me much happier. It has the ability to lift my mood or enhance a good mood. There’s a quality of light and darkness, this association which I find really powerful and very impactful on my soul. It’s a record to laugh to and to cry to. There’s so much beauty. I find the string arrangements so moving. It goes so far into my being when I listen to it. It’s a very big favourite and as I say a foundation to everything that I love, that hybrid. That’s what is so attractive in Brazilian music: the fusion of cultures creating a new thing. That’s really fascinating.
It was in 2009 I think that I went on a hunt for this record, and bought it. I’d only heard certain songs; someone put some songs on my iPod a number of years ago, and then one day I realised that they were all part of a full album, which I bought when I visited Brazil some years ago, the first time that I played Brazil solo. And of course with Stereolab we were already cultivating that bit of land before we knew that it had already been cultivated and had a name and an identity. It’s just an attraction, and you can’t really explain them. They’re doing the same thing in different parts of the world, or sometimes some things become so strong they go through your DNA somehow and you have them in your blood and they’re not to be contested: they’re there. But for me music has been the transformational tool. I know I’ve listened to records and I was one type of person before listening and after I find myself being transformed. It’s the same with going to certain gigs: I walked in as one person and I walked out a different person. And I love that about music. You can’t touch it, it’s just there. There’s a bit of a mystery behind it that makes it even more powerful.
