Baker's Dozen

Artists discuss the 13 records that shaped their lives

8.

Brahms – Quintet 2

Two of the scant facts I know about Brahms are that he was perceived to be the opposite of Wagner and the second movement of his German Requiem is actually the theme music from Nazis: A Warning From History – maybe those two things are connected.

I listened to this quintet this morning. I have this most wonderful recording of it which was made in the Rock Church in Helsinki, this amazing, amazing church which was culled out of the rock in the 1960s. It makes explicit the link between brutalism and geological extravaganzas. In the pantheon I’d put Beethoven at the absolute top, followed by Schubert then Brahms. I don’t like Wagner, partially because I don’t like the music and partially because I don’t like anything about him as a person. He hated Mendelssohn’s music, purely on account of Mendelssohn being Jewish. There’s an incident, which is recounted in the biography of Himmler in which he says, ‘I have grave doubts about Sturmbannführer so-and-so because he listens to Mendelssohn.’ You know… Jewish music. I’ve never been able to sit through anything by Wagner. It’s no good; that bit with the helicopters in Apocalypse Now! notwithstanding.

Selected in other Baker’s Dozens: Lord Spikeheart, Tom Ravenscroft
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