Armageddon Hits! Joe Elliott Of Def Leppard Baker's Dozen | Page 12 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

11. The ClashThe Clash

  1. I’m a sixteen-year-old kid and glam rock has died. Disco has come in but this saved my life. Lennon once said to Bowie that glam rock was just ‘rock & roll with lipstck’ and if that’s the case then punk was glam without the musicianship. It certainly wasn’t disco and it sure as fuck wasn’t overblown proggy stuff. They blew Yes and Genesis and all that stuff out of the water. They took us back to the three minute pop song. Punk songs were short and sweet. That first Clash record was amazing. There was a huge amount of melody on that record that nobody ever takes any notice of. Mick Jones was a huge Mott the Hoople fan – he was a member of the Sea Divers [the Mott fan club] and used to follow them around the country. ‘Janie Jones’ is brilliant; their version of ‘I Fought The Law’ is just outstanding, the best ever recorded. They might have written better songs on London Calling but, as an album, this was a breath of fresh air amongst the 70s stuff. I was still playing Diamond Dogs and Ziggy but this was like a newer version. When punk started kicking off it was brilliant, because they all came to Sheffield – more so than the glam bands. I could actually go and see them. I saw the Clash, the Ramones, Slaughter and the Dogs, Eddie and the Hotrods, Dr Feelgood – that whole intersection with pub rock. It was a lifesaver.

Selected in other Baker’s Dozens: Lol Tolhurst, Primal Scream, Ghostpoet, Chris Packham, Suggs
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