Dr. Manhattan: Jeffrey Lewis' Favourite Comics | Page 14 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

13. Neil GaimanSandman

It’s one of the best comic series of all time. Some of the story arcs are just incredible. I really need to reread it, I haven’t read it in a long time. I remember ‘The Doll’s House’ being a particular great storyline; ‘A Game Of You’ is another really great one. Neil Gaiman is like a storyteller in a way that really hooks you in, like you’re being told a story around a campfire. I wouldn’t necessarily be interested in that sort of comic, it’s not really my thing. In some ways the ideas are so hokey that when you try and describe them, they just sound stupid. But there’s no getting around the quality of the writing, the way that he can create – in a few swift strokes – a character and situation that within two pages you’ll be totally absorbed in whatever’s going on. That’s the kind of narrative craft that you don’t really see in comics that much. And eventually, at a certain point within the series, the art finally got at a level where it could stand on its own next to the writing, depending on who was drawing it. If you like comic books in the early part of the century, in the ’40s or whatever, everybody thought of comic books as total trash – they were badly written and badly drawn. And by the time you get to the ’70s, nobody could any longer say that comics were badly drawn because you had Mœbius, you had Crumb, you had people that were treating comic illustration as an extremely advanced technical skill. But comic book writing really remains on the outside of that. Comic book art reached an inescapably high quality decades earlier than comic book writing did. And writing has still really lagged behind the artwork in that sense. Other than somebody like Alan Moore or Dan Clowes or Neil Gaiman, you really don’t have anyone. You can count on one hand the great comic book writers, but of course there’s probably hundreds of great comic book illustrators. So Sandman really stands out for the writing and for the imagination of it. In any curriculum of reading the greatest comics of all time, you would have to read Sandman.

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