7. The BeatlesRevolver
This is pretty amazing. I think this is Geoff Emerick’s first go as engineer. He’d been working there [at Abbey Road studios] but he hadn’t become an engineer yet. When I was working with Paul McCartney on his album, Flaming Pie, Geoff was the engineer as well. He told me what a marvellous thing it was for him because he used this close mic ambience on this album and did some really amazing effects, like on ‘Tomorrow Never Knows’. Backwards stuff and all that and this was pretty advanced stuff in them days. It was more experimental than anything they’d done before.
Some of the tunes on there are just great and it was them nearly getting into Sgt Pepper, you know? Probably doing more experimenting and copying tapes and bouncing them across. They hadn’t got the tracks to do it, really, so they had to use two machines and sometime three machines and then mix everything down from four tracks onto one and then start on another and mix that down to another machine. So it was very difficult to make those records, I would imagine.
How did it sound back in ’66? Way better than everything else, I would say. It stood out like a sore thumb really. It was so tight and beautiful and punchy. It was the punchiest thing around. It was, like, powerful and, it seemed to me, majestic.
