Spiders' Webs From Scraps: Guy Garvey's Favourite Albums | Page 9 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

8. Melody’s Echo ChamberMelody’s Echo Chamber

You can hear it’s making, in the same way you can hear Joni in her lonely love cabin. Just the idea of the moon cast out on the water. That paints a picture. I can hear excitement and new love all over that Melody’s Echo Chamber record. When my last relationship ended a few years ago now, I pissed off to New York for a bit, just to sort of gather my thoughts, and I would take to sitting in a cafe with my headphones on, listening to a piece of music and I had put together words to it in a book. And I remember being quite pleased with something I had just written, taking my headphones off, and that music, Melody’s Echo Chamber, was playing on the sound system in the cafe. I listened to it, spellbound, you could just feel the excitement in it. I was listening to that, and I just looked away, who is this? And I shut my book and felt like giving up music. It was just so fucking good. And actually at the end of a tune, you hear them all whooping in the studio. It’s like when you hear the Kinks whooping during ‘Victoria’ – when you’re hitting a certain level of energy, bang on the nose, you’re allowed to record yourself whooping at your own efforts I think.

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