Three Chords Good: Graham Parker's Favourite Albums | Page 8 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

That was a bit later, wasn’t it? I remember at the time of Electric Ladyland and some of those other things listening to Safe As Milk, which was a terrifying record when you were tripping. I would be hanging on to wherever I was crashing, grinning, pretending I was enjoying it, but it was like, god! It’s ripping the universe apart! But coming out of the end of that period, Clear Spot was a bit later. Obviously the word genius has been used about this guy and probably quite rightly, and the musicianship: ridiculous. That song ‘Too Much Time’ is on here, and he’s showing it can be cool to write a good song that has girls singing backing vocals, and it was a soul song. But Beefheart has to ruin its chances of being a hit by going into a monologue in the middle about, sometimes, when I’m a little hungry, I heat up some old stale beans, eat some crackers and dream! Something like that, some crazy stuff! And you’d think, oh, he’s still mad, that’s good, it’s all good.

Selected in other Baker’s Dozens: Teenage Fanclub, Tom Fleming, Barry Adamson,
PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today