No Boundaries: Dennis Bovell's Baker's Dozen | Page 5 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

4. Booker T. & The M.G.sGreen Onions

tQ: Am I right in thinking you played ‘Green Onions’ in a school assembly once?

Yeah! It was my first time ever playing the bass. I was only in the second year of secondary school but some older boys, from the fifth year had heard me play guitar but needed a bass player for this school-assembly gig. I didn’t even have a bass guitar – a white friend of mine, who we called ‘whitey’! – let me borrow his bass. Thing is – this guy was in the band Greyhound, who had had a hit and been on Top Of The Pops with ‘The Ink Is Black’ and he played this super cool bass – ice blue in colour which was striking at a time when nearly all guitars were just red or black. So, there I am at this school assembly playing covers like ‘Green Onions’ and these older boys tell me to stand on top of the piano so everyone can see the Top Of The Pops bass! Playing different types of music with these older guys I realised when one of them said to me ‘Dennis, there’s only one Jimi Hendrix’ that I wanted to play bass and push more into playing reggae. Booker T & The MGs were really important to me because it was so great to see a band with black and white people in. Multiracial bands really weren’t that common at that time so that was inspirational to see. That kind of racial unity.

Selected in other Baker’s Dozens: Tom Tom Club
PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now