Baker's Dozen

Artists discuss the 13 records that shaped their lives

4. Tony BennettThe Very Best Of Tony Bennett: 20 Greatest Hits

Another treat my mother procured for herself. The cover was interesting. Mr Bennett looked shiny. His nose was huge. He was wearing a suit. No reason why I should have known who he was. I was too young to realise that the red light on his quiff was not hair dye. It was the glam period, the Afro do era. It wasn’t the strangest hair I’d ever seen.

Mr Bennett was a storyteller too, like The Drifters, but he wasn’t in a gang like them. He was alone. He often sounded alone. He sang to San Francisco, as if it was a person. He wanted to get his own back on someone. Somebody called Joanna had loved him once. He was a stranger in paradise. He was haunted by a certain smile. He fantasised about ruling the world.

It was ‘A Taste Of Honey’ that enthralled and perplexed my developing imagination: winds, icy sea, Sunday school language, "the warmth of thee", honey and wine. At other times, he seemed to enjoy himself. I liked it when he sounded happy too. He compared kisses to sweets. He compared women to fireflies. The violins would disappear and brass would replace them. Sometimes there was even an audience clapping.

I didn’t know that my affection for jazz standards was beginning there. I just liked the idea of being Mr Bennett’s friend. He seemed nice. It was the beginning of a beautiful relationship.

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