4. Run DMCRun D.M.C
Run-D.M.C came out and it was like some serious gangster shit: bomber jackets and Kangols [laughs]. They were just some serious hood shit and they pushed the limits as far as they possibly could at that time. They laid the building blocks for everything that was to come in that era and for everything where we are right now. It felt so special being able to see that for the first time: I was there at the birth of it and I was watching the first round of this shit build up and up.
Their live performances also helped Cypress Hill. We got confidence on stage by originally going to local shows in New York City – Run-D.M.C and the like. All the really big shows too – we’d see ‘Ministry’ and learn from them as well as all the local acts in the city. I saw bands like Ministry and Run-D.M.C on stage very early on in the game and I drew inspiration [and confidence] from a lot of their live shows and these undoubtedly helped our own future live performances. It was very exciting to be a part of this scene at that time and to see Run-D.M.C with such unbelievable raw power at that time.
