Some Major Rock & Roll Problems: Craig Finn's Favourite Albums | Page 13 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

12.

Led Zeppelin – Physical Graffiti

In my teenage years, everyone was into Zeppelin and I was into punk rock. As a lyricist, I wasn’t really comfortable with all the Hobbit, Tolkien kind of stuff, or the "baby, baby, baby" stuff, so I was always down on Zeppelin. I was in my late 20s before I really got into them, I was probably 30, even – it took that long. I was flirting with them a little bit, then I saw that performance from the 1970s in Madison Square Garden on DVD. They’re standing really close to each other, playing rock & roll, and you’re like: "Led Zeppelin, that’s a real band, holy shit." You realise those songs didn’t come down from a mountain, they had to actually write them. Physical Graffiti is, I think, their best album and it seems like it’s the most rockin’, they’ve got that groove going. It’s got a cool cover, that building in New York, and it’s all a little less Lord of the Rings, a little more street: it’s the tenement building, rather than the forest. I have friends who are high school teachers now and they’re like, man, Zeppelin is still king. Zeppelin still speaks to the hormones of 14-year-old boys. The guys in the Hold Steady are super into Zeppelin – our guitar player Steve, he’ll talk to you about the upholstery on their second plane. These are real conversations he has.

Selected in other Baker’s Dozens: Lord Spikeheart, Tom Ravenscroft
PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now