Baker's Dozen

Artists discuss the 13 records that shaped their lives

4. The CureDisintegration

The Cure was one of the first bands I liked. My stepbrother lived in Cornwall and I remember family holidays and stuff like ‘Catch’ and ‘Boys Don’t Cry’ and thinking, fuck, those melodies are amazing! My sister was really into them and she got Disintegration, and the songs had got massively long guitar intros, which was quite a bold move at the time. You’ve got two minutes of guitar before the vocals come in. It’s an amazing album and it does sound like it’s disintegrating – I think I had it on tape and it just got heavily mashed by the tape heads so the sound quality degraded the more I listened to it.

There are such strong melodies. You know when you hear melodies that couldn’t really be anything else at all? It’s like they’ve just unearthed it. They’ve dug it up and it’s always been there or something. The Cure reminds me of Thatcher’s shitty England, Our Price and closed Ryman shops. So British.

Selected in other Baker’s Dozens: Georgia, Mary Lattimore, , Lee Buford, Bat for Lashes, Ian Rankin, Amanda Palmer
PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today