Inhabiting The Music: Charlotte Gainsbourg's Favourite Albums | Page 2 of 13 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

1. Serge GainsbourgL’Homme a tĂȘte de chou

I could have chosen Histoire de Melody Nelson but I’ve selected L’Homme a tĂȘte de chou (Man with a cabbage head) just for a change. The story of Marilou is on that record, and it’s also the voice of my father which I treasure. It’s always hard to have your parents as singers – they have a singer’s voice and they have their personal, private voice. He hated his voice in the earlier days where he sang much more. This is a real portrait of him; Melody Nelson is a portrait of both of them, and it’s a fantasy, and it’s different. This one for me is really as original and as melodic and modern as Melody Nelson.

You know, ‘Aeroplanes’ is a beautiful song. He was just brilliant at taking whatever time he needed. Now songs are so formatted, but here there are songs that are seven minutes long. It’s a real voyage and a real story. ‘Marilou Sous La Neige’ is one of my favourite songs because it’s so melodic, and he has the most beautiful voice on it. 

I think it came out in 1976. We were living with a nanny. The cover shot was taken in a garden that wasn’t his. He put L’homme a tĂȘte de chou – which was a statue he bought for himself – in the garden and photographed himself with the statue. Now the statue is in his house. I have his house, I bought his house and it’s all I have left of him – all his old objects, his whole environment. I guess it’s very much linked with this album. 

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