Roots Rock Riot: Benji Webbe Of Skindred's Favourite Albums | Page 6 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

5. The SpecialsThe Specials

With The Specials, for me, it wasn’t just the music. I was laying down, and I must have been about 13, and there was this documentary on BBC Two, and I’ll never forget it as long as I live. There were these guys who dressed like my dad, with the hats and the two-toned suits, and they put this twist on it, see. They had the skinhead look as well. All of a sudden they started playing this music, and it’s stuff that I know my father had. My father got these same records, but they didn’t sound as punk. Seeing this band just made me sit up, and I knew then, from that point, that if I was going to grow up and be in a band, it was going to have black people and white people and have this real sound of unity. I fell in love with ska then, from watching this documentary about 2 Tone in Coventry. I started stealing my dad’s clothes and making them smaller for myself. I wanted to look cool and be a rudeboy!

I recognised some of the songs, and they would do a lot of covers from Jamaica. Like ‘A Message To You Rudy’ and stuff like that. My dad had that record since I was crawling, and all of a sudden I saw this white guy singing it with real attitude. When I first saw the band, I was a punk rocker. I had the painted yellow bondage trousers and a Sid Vicious T-shirt. My father wouldn’t let me cut my hair because he used to cut it for me, so I had to put loads of stuff in it to spike it up. Anyway, I remember watching this documentary, and thinking, "I want to be a part of this movement." I took all of my punk records, and I swapped them for a load of stuff, for a pork pie hat and a 2 Tone wristband. I went and got The Specials album. I’d seen the documentary on the Wednesday night, and by the Saturday, I’d come back from town with all the records.

Selected in other Baker’s Dozens: Beth Orton, Suggs
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