Access All Areas: Barbara Charone’s Baker’s Dozen | Page 13 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

12. MadonnaConfessions On A Dancefloor

I picked Confessions because Madonna is famous for reinventing herself. I still believe she does not get enough credit for the fact that she has written the book on great songs. For instance, ‘Hung Up’ is a typically robust thrust of sheer delight. And the Confessions tour was Madonna and Stuart Price at the pinnacle of their success. I remember she did GAY at the Astoria after midnight, and Chelsea played earlier that day. I have a terrible history of going to gigs on a Saturday when I’ve had a few glasses of wine at the Chelsea game. They win, and I go to a gig. We had a table right in the front of the upstairs Astoria, and they did a Madonna mega mix before she came on. And I lost my mind. On the Monday, I was ringing journalists saying, ‘Did you go to the show?’ And they were like, ‘Yeah, we saw you.’ I was enjoying the moment so much I have no recollection of it.

Madonna is one of the great joys of life, and she’s an incredible performer live. That’s really what the spirit of music’s about. She’s smart, ambitious, knows what she wants, and like any great artist she has a vision. One thing I can’t say enough – people don’t realise the enormity of this, but she started out playing Koko, Camden Palace with a 20 minute set and two backing dancers, and the next time she came to London she sold out two nights at Wembley Stadium. People just kind of like, ignore it, but that’s an incredible achievement.

PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today