Lucky For Some: Alexander Tucker's Favourite Albums | Page 2 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

1.

CardiacsOn Land And In The Sea

When I was 14, my art teacher Nick Goodman held after school art classes at the local YMCA. The first class consisted of only Nick and myself. When I arrived he was listening to this really weird music and was drawing a version of the front cover which turned out to be On Land And In The Sea. I was hooked immediately. The world presented in these weird proggy psychedelic songs spoke of a strange grey English landscape of suburban surrealism – of mum and dad, home, birth, death and flowers. The cover featured a group of what I thought at the time to be a bunch of really ugly people, dressed in tatty suit jackets with pasty white skin. In the background is a photo of a bare tree surrounded by a fresh sprouting of daffodils taken on a dull day in what looks like early English Spring. All of this really resonated and spoke to me, as I sat in my own grey suburban world pouring over art books of Max Ernst and listening to these new found vistas.

Selected in other Baker’s Dozens: Lord Spikeheart, Tom Ravenscroft
PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now