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Reissue Of The Week: Circle X’s Prehistory

Acid Horse 26: tQ’s Ten Essential Picks

“Sounds Can Have Their Own Meaning”: Remembering Éliane Radigue

The Strange World of… Shane Parish

Relentless Alloys: MENT in review

Julian Hand & Demian Castellanos – Callanish Audio Visual Research

“It’s About Time We Brought Art In, Innit?” Talk Talk’s The Colour Of Spring at 40

OST Of The Week: Duval Timothy & CJ Mirra – My Father’s Shadow

Edith’s Diary: Drew Daniel on Creating Art under Fascism

The Strange World Of… Free Jazz & Improvised Music 

Conversational Improvisational: Stewart Lee & EarthBall get Free

Sacrifice Zone, Sophie Sleigh Johnson and Charlie Osborne for Cafe Oto this week

From The Shout to Bait: Listening to the Sound of Movies about Sound

Reissue of the Week: Before Aksak Maboul (Documents & Experiments 1969-1977)

The Strange World Of… Early Cabaret Voltaire

An Unkind of Blue: Darran Anderson on Chris Morris’ Blue Jam

A Relic of the Empire: Tom Ellard of Severed Heads Interviewed

Almost Endless Possibilities: Adam Golebiewski Interviewed

The Strange World Of… Chicks On Speed

Compilation of the Week: The Sheer Action Of Fini Tribe – 1982-1987

Seven Highlights From Skaņu Mežs 2025

“The Depeche Mode of Arhythmic Musics”: Haptic Interviewed

Mass Communication: Raven Chacon Interviewed

Shine Like a New Dime: Tom Waits’ Rain Dogs at 40

The 20th Century Dies: David Bowie, Scott Walker and the 1990s

Liam Andrews of My Disco and Eros Shares New Track from Aicher Project

Reissue of the Week: Music For Nitrous Oxide by Stars Of The Lid

Reissue of the Week: Coil’s Black Antlers

Peer Review: Peter Strickland Interviews Cosey Fanni Tutti… and Vice Versa

The Strange World Of… The Young Gods

Lyra Pramuk on Astrological Divination

Heavy Metal Rituals: Osmium Interviewed

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