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The Rest is Noise: M.I.A.’s Arular at 20

GASH! Fundraising Party at the Rio Dalston with Princess Julia & Faux Naïf

Tangerine Dream’s Rubycon Half A Century On

Broadcast’s The Noise Made By People Turns 25

Breaking the Spell: Aya Interviewed

Compilation of the Week: Goodbye Horses – The Many Lives of Q Lazzarus

Impermanent Everything: DARKSIDE Interviewed

Someone Disappears / Someone Reappears: Jules Reidy Interviewed

Let it Rot: Snapped Ankles Interviewed

The Absolute Shit: Coil’s Scatology Revisited

Low Culture Essay: Patrick McKemey on the Musical Architecture of SimCity

Sleazy Does It: Decius Interviewed

Organic Intelligence XXXVIII: The Legacy of Broken Beat

Why Dance Music and Club Culture Need a Revolution, not Night Czars, to Survive and Thrive

The Low Culture Essay: Stephanie Phillips on the 1998 Kathleen Hanna solo album, Julie Ruin

The Academisation of Rave: Is Everyone Talking About Dancing, Rather Than Doing It?

Organic Intelligence XXXVII: Trash Electroclash Bangers

Dread Magnificence: LSD, Selected Ambient Works II & The Psychic Death of Aphex Twin

Radio / Live Transmission: Autechre As Concert Musicians

Reissue Of The Week: Susumu Yokota’s Acid Mt. Fuji

The Art Of Falling Apart: Considering The Usefulness Of Fallibility At MUTEK 2024

A Lone Star: More Eaze Interviewed

Reissue of the Week: Throbbing Gristle’s The Third Mind Movements

Return of the Macc: Factory Floor Interviewed

I Can’t Make Music for Other People: Seefeel Interviewed

Reissue Of The Week: White Noise – An Electric Storm

Organic Intelligence XXXIV: Tromsø Techno

Low Culture Podcast: Eurythmics’ 1984 Soundtrack

Various Artists – Tránsitos Sónicos: Música electrónica y para cinta de compositores peruanos (1964-1984)

Technology Works: Mark Fell On The Anniversary Of The Battle Of Orgreave

Organic Intelligence XXXIII: South African 3-step

Like Jesus Christ Superstar With Depression: Beak> Discuss Their new Album

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