The Year So Far
A Behemoth Playlist
Film Features
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Film Features
Breathless with Anticipation: 50 Years of Godard's Classic Film
I have never seen the ending of Breathless, prossibly one of the most talked about and importan...
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Film Features
The Essential Guide To Writing A Successful Indie Flick
There’s a certain amount of anticipation surrounding Noah Baumbach’s Greenberg, as his previous...
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Film Features
Outdated Technology: Not So Special Effects
Film, in the century plus that it's been around, has grown as an art form at roughly the same r...
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Film Features
Federico Fellini: A Profile Of The Director As A Pervert
It was strangely fitting that the digitally remastered re-release of La Dolce Vita earlier this...
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Film Features
Live From Cannes: The Quietus Film Blog Part III
Sound of Noise – Johannes Stjärne Nilsson, Ola Simnonsson Critics’ week Some of you might have...
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Film Features
The New Pornographer: A Richard Kern Interview
There are few people who have captured the naked female form in the eye of their lens as much a...
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Film Features
Live From Cannes: The Quietus Film Blog Part II
Another Year – Mike Leigh Official Selection – Completion Mike Leigh's favourite playground ...
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Film Features
Live From Cannes: The Quietus Film Blog Part 1
Saturday 15.05.2010 Cannes you make it this year? Some weird energy surrounded the opening o...
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Film Reviews
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Film Reviews
Gem'll Crucifix It: Byzantium Reviewed
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Film Reviews
Lost In Translation: The Great Gatsby Reviewed
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Film Reviews
Lacking That Vital Spock: Star Trek Into Darkness Reviewed
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Film Reviews
Queercore U Kno The Score: She Said Boom - The Story Of Fifth Column
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Film Reviews
Grey's Anatomy: Dark Skies Reviewed
One thing any good horror film should do is tap into the atavistic terror people can experience...
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Film Reviews
Blow, Thugs - N - Harmony: Spring Breakers Reviewed
In Spring Breakers Harmony Korine captures a neon-lit universe where Britney is queen, Lil' Way...
8 commentsRead » -
Film Reviews
Challenge Haneke: Amour Reconsidered
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11 commentsRead » -
Film Reviews
Vampish, Vulgar and Vacuous: Fellini's La Citta Delle Donne Reappraised
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