The Year So Far
A Behemoth Playlist
Film Features
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Film Features
Preview: Thirty Years of Sonic Youth's Daydream Nation
"The group has just finished a long project that in some ways is the beginning of a new path, y...
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Film Features
Nothing Is Trite: PJ Harvey In A Dog Called Money
One the themes emerging from the majority of films I’ve seen here at the 2019 Berlinale is that...
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Film Features
Shock Treatment: Piercing Director Nicolas Pesce's Favourite Gialli
Piercing is the strange, slow-build, high-tension second feature by New York-born director Nico...
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Film Features
The King Of Philadelphia: Teddy Pendergrass On Film
Credit: Don Hunstein Teddy Pendergrass: If You Don’t Know Me tells the story of the King of Phi...
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Film Features
Robbing Malice Of Its Venom: Suri Krishnamma Remembers Albert Finney
I first met Albert Finney in 1993, just before we cast him in A Man of No Importance, in a tiny...
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Film Features
Into The Void: Art And Emptiness In Velvet Buzzsaw
This is how we watch films these days. I had decided not to watch Velvet Buzzsaw, the latest mu...
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Film Features
Infinite Cinema: At The International Film Festival Rotterdam
On the drive in from the airport, we asked our driver, what’s a fun thing to do in Rotterdam? T...
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Film Features
Liv Ullmann & Ingmar Bergman: Redefining The Muse
‘Behind every good man is a great woman’ is a phrase that hasn't aged well. Overlooked and unde...
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Film Reviews
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Film Reviews
Gem'll Crucifix It: Byzantium Reviewed
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Film Reviews
Lost In Translation: The Great Gatsby Reviewed
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Film Reviews
Lacking That Vital Spock: Star Trek Into Darkness Reviewed
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Film Reviews
Queercore U Kno The Score: She Said Boom - The Story Of Fifth Column
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Film Reviews
Grey's Anatomy: Dark Skies Reviewed
One thing any good horror film should do is tap into the atavistic terror people can experience...
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Film Reviews
Blow, Thugs - N - Harmony: Spring Breakers Reviewed
In Spring Breakers Harmony Korine captures a neon-lit universe where Britney is queen, Lil' Way...
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Film Reviews
Challenge Haneke: Amour Reconsidered
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Film Reviews
Vampish, Vulgar and Vacuous: Fellini's La Citta Delle Donne Reappraised
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