A Quietus Interview:
James Holden
Film Features
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Film Features
“Where Does Play End And Art Begin?”: Remembering Agnès Varda
Agnès Varda, Visages, Villages (2017) cinetamaris “The mind zaps all the time. We can zap throu...
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Film Features
Chaos Theories: Jonas Åkerlund’s Black Metal Movie
All images courtesy: Jonas Åkerlund Can you separate art from artist? Or, more specifically, is...
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Film Features
Timperley Sunset: Director Steven Sullivan On Being Frank
The absurd comedy style of Frank Sidebottom appeared as real as could be. Besides his papier-mâ...
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Film Features
That's How It Goes: Asghar Farhadi's Everybody Knows
There isn’t anything quite as nostalgically romantic as two sets of initials carved roughly alo...
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Film Features
Border Con-Troll: Ali Abassi, Eva Milander & Eero Milonoff Interview
INT. HOTEL LOUNGE – DAY The scene is the narrow interior of a hotel lounge in Mayfair, West Lo...
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Film Features
Ray Of Light: An Interview With Richard Billingham
Richard Billingham’s Birmingham-set drama, Ray & Liz, looks back at the life of his family ...
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Film Features
Preview: Thirty Years of Sonic Youth's Daydream Nation
"The group has just finished a long project that in some ways is the beginning of a new path, y...
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Film Features
Nothing Is Trite: PJ Harvey In A Dog Called Money
One the themes emerging from the majority of films I’ve seen here at the 2019 Berlinale is that...
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Film Reviews
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Film Reviews
Croydonian Dada: Basically Johnny Moped Reviewed
(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id...
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Film Reviews
Thor-mula One: Rush Reviewed
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Film Reviews
Oink-Credible Journey: Upstream Color Reviewed
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Film Reviews
Bayhem: Pain & Gain Reviewed
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Film Reviews
Going For The Throat: Lovelace Reviewed
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Film Reviews
Super Zeros: Kick Ass 2 Reviewed
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Film Reviews
Die AHAA-rd: Alan Partridge: Alpha Papa Reviewed
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Film Reviews
Goose Fare: Only God Forgives Reviewed
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