30th Anniversary
The Orb's U.F.Orb
Film Features
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Film Features
Anti-Social Behaviour Orders: S. Craig Zahler's Dragged Across Concrete
It is not always entirely clear what, if any, political motives S. Craig Zahler uses to frame h...
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Film Features
“Where Does Play End And Art Begin?”: Remembering Agnès Varda
Agnès Varda, Visages, Villages (2017) cinetamaris “The mind zaps all the time. We can zap throu...
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Film Features
Chaos Theories: Jonas Åkerlund’s Black Metal Movie
All images courtesy: Jonas Åkerlund Can you separate art from artist? Or, more specifically, is...
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Film Features
Timperley Sunset: Director Steven Sullivan On Being Frank
The absurd comedy style of Frank Sidebottom appeared as real as could be. Besides his papier-mâ...
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Film Features
That's How It Goes: Asghar Farhadi's Everybody Knows
There isn’t anything quite as nostalgically romantic as two sets of initials carved roughly alo...
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Film Features
Border Con-Troll: Ali Abassi, Eva Milander & Eero Milonoff Interview
INT. HOTEL LOUNGE – DAY The scene is the narrow interior of a hotel lounge in Mayfair, West Lo...
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Film Features
Ray Of Light: An Interview With Richard Billingham
Richard Billingham’s Birmingham-set drama, Ray & Liz, looks back at the life of his family ...
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Film Features
Preview: Thirty Years of Sonic Youth's Daydream Nation
"The group has just finished a long project that in some ways is the beginning of a new path, y...
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Film Reviews
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Film Reviews
Gem'll Crucifix It: Byzantium Reviewed
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Film Reviews
Lost In Translation: The Great Gatsby Reviewed
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Film Reviews
Lacking That Vital Spock: Star Trek Into Darkness Reviewed
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Film Reviews
Queercore U Kno The Score: She Said Boom - The Story Of Fifth Column
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Film Reviews
Grey's Anatomy: Dark Skies Reviewed
One thing any good horror film should do is tap into the atavistic terror people can experience...
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Film Reviews
Blow, Thugs - N - Harmony: Spring Breakers Reviewed
In Spring Breakers Harmony Korine captures a neon-lit universe where Britney is queen, Lil' Way...
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Film Reviews
Challenge Haneke: Amour Reconsidered
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Film Reviews
Vampish, Vulgar and Vacuous: Fellini's La Citta Delle Donne Reappraised
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