Baker's Dozen:
Shirley Collins
Film Features
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Film Features
Emerald Cities: How Green Became Cinema’s Loneliest Colour
A solitary man stands alone in a parking lot, its smooth concrete angles washed in a sickly gre...
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Film Features
Where Have All The Good Men Gone? The ‘Auteurs’ 2018 Buried
On 12 April 2018, the Festival de Cannes announced the first wave of films in the 71st edition....
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Film Features
Cinematic Snares: What We Lose When We Dismiss Films As 'Oscar Bait'
credit: Dorith Mous / ©A.M.P.A.S. The word ‘bait’ has two definitions – one as a noun, one as a...
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Film Features
A Year On Film: Quietus Critics Pick Their Top Films Of 2018
I’m not doing a ranked top ten or rundown or round up of 2018 this year. I can’t quite bring my...
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Film Features
None More Bleak: Hu Bo’s An Elephant Sitting Still
On October 8th 2017, the director and novelist Hu Bo met a friend for a drink in the Wangjing s...
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Film Features
Worshipping Convention: The Trouble With A Star Is Born
“Why’d you come around here with an ass like that?” Bradley Cooper, or rather country-rock star...
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Film Features
Max King Of Scores: Richter Discusses New Soundtrack
Max Richter is one of the most important voices of modern music, both in his work in the classi...
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Film Features
Moviedrone: The Year's Finest Film Soundtracks
2018, WE HARDLY KNEW YE Well, it's currently a couple and a bit weeks until the end of 2018, w...
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Film Reviews
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Film Reviews
My Shame Is Earl: Me And Earl And The Dying Girl Reviewed
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Film Reviews
All About Reality? Straight Outta Compton Reviewed By Angus Batey
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Film Reviews
O Brothers Were Art Thou? The Wolfpack Reviewed
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Film Reviews
Hammer Of The Mods: The Man From U.N.C.L.E. Reviewed
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Film Reviews
Gore Movie: Best Of Enemies Reviewed
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Film Reviews
Cruising At Altitude: Mission: Impossible - Rogue Nation Reviewed
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Film Reviews
Digital Løve: Eden Reviewed
Mia Hansen-Løve has cultivated a remarkable talent for charting the ephemeral nature of time. H...
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Film Reviews
Heroes And Villains: Love And Mercy Reviewed
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