Moses Boyd:
Musical Inspirations
Film Features
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Film Features
In Good Faith: Rose Glass On Horror Debut 'Saint Maud'
I only have a brief slice of time with director Rose Glass. We’re alone, but our interview is s...
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Film Features
Memory Palace: On 'Ask Any Buddy' And The Golden Age Of Gay Porn
Gay desire in art, both high and low, has always been tied to the debate of obscenity in Americ...
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Film Features
Matters Of The Heart: 20 Years On, Is High Fidelity The Best Rom-Com Ever Made?
It used to be that my favourite romantic comedies were the ones in which the main couple didn’t...
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Film Features
Haunted House: 40 Years Of 'The Changeling'
“I knew about pain, a lot. And I knew about being frightened.” – Peter Medak “This…” noted Ro...
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Film Features
On Greatness: The Wonder Of The Lowest-Grossing Film In UK Box Office History
On Friday September 14, 2007, three years after its premiere at the Gdynia Film Festival and ei...
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Film Features
Both Sides Now: 'And Then We Danced' And The Urgency Of Tbilisi Pride
“I am weak for folk dance, all folk dance, but there is something so cinematic about Georgian d...
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Film Features
The People Resist: On 'Bacurau', Bolsonaro & Brazil
A truck runs over cheap-looking coffins on a dirt road, sending splintered wood flying. Signage...
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Film Features
You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism
There’s an extra frisson to seeing Rubika Shah’s debut feature in Berlin, a city, like so many ...
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Film Reviews
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Film Reviews
Falling And Laughing: The Possibilities Are Endless Reviewed
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Film Reviews
Björk-in' The Land: Biophilia Live Reviewed
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Film Reviews
Pictures Of Me: Elliott Smith - Heaven Adores You Reviewed
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Film Reviews
To Boldly Go Where Nolan Has Gone Before: Interstellar Reviewed
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Film Reviews
Peasant Company Excepted: Andrzej Wajda's The Promised Land
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Film Reviews
Less Than The Best Is A Fela-ny: Finding Fela Reviewed
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Film Reviews
Oo-er, Cantona: You And The Night Reviewed
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Film Reviews
Must It Be Flickers: The Quietus Film Column? Really?
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