30th Anniversary
The Orb's U.F.Orb
Features
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Craft/Work
A Spectre Is Haunting Mayfair: Haunted Realism At The Gagosian
ADAM MCEWEN, Untitled, 2020. Flashe and spray paint on paper 11 1/4 x 15 3/4 in, 28.6 x 40 cm © ...
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Reissue Of The Week
Reissue Of The Week: Mastered By Guy At The Exchange By Max Tundra
The internet, in the infant years of the 21st century, was a maximalist experience. It was defi...
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Album Of The Week
Nature Unborn: A Southern Code By Eros
EROS. Credit: Sen I’d love to tell you all about this EROS record, but right now, I’ve gotta de...
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Three Songs No Flash
The Element Of Surprise: Dekmantel 2022 Reviewed
Photo by Stef van Oosterhout It's hard to argue with the view that often the best moments at a ...
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In Conversation
Peer Reviewed: FOQL Interviews SIKSA... And Vice Versa
SIKSA's Alex Freiheit and Justyna Banaszczyk, aka FOQL Music writers. Who needs 'em? We recentl...
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Escape Velocity
Motion Sensor: NSDOS Interviewed
Photos by Flavien Prioreau Movement is a constant in the life of Parisian musician, dancer and ...
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Anniversary
Whatever Happened To... Shakespears Sister's Hormonally Yours
“For half a century they hated each other and we loved them for it.” Siobhan and Marcella. Mar...
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Escape Velocity
Sturm Und Clang: Prangers Interviewed
Prangers at Robyn's Rocket, photos by Dawid Laskowski Robyn’s Rocket is a semi-regular night, w...
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Tome On The Range
No Artistic Normal: A Silence Festival In Lapland
Photo credit: Andrew Mellow Kaukonen was described as a village but I searched in vain for a sh...
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Tome On The Range
Being In Love Is A Sticky Place: Elvia Wilk’s Death By Landscape
Elvia Wlik photo credit Calla Henkel & Max Pitegoff In a late May day, the island of Stromb...
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William Doyle
80s Underground Cassette Culture Vol.2
City Of Caterpillar 
Sun Ra Arkestra
Use Knife
The Real Tuesday Weld
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