A Quietus Interview:
Black Midi
Features
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A Quietus Interview
The In-Tune-Sound From Way Out: Ellen Arkbro Interviewed
Ellen Arkbro’s new album, CHORDS is uncompromising. There are two tracks. ‘CHORDS For Organ’ is...
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Escape Velocity
Gold Standard: Kobi Onyame Interviewed
Portrait by Ryan Johnston Something wild is happening in the boom boom room. Stacks of egg cra...
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Features
Spool's Out: Cassette Reviews For July By Tristan Bath
This duo comprises the fruitful collaboration between two of West Yorkshire’s noisy experimenta...
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Anniversary
Another Summer: Revisiting Do The Right Thing 30 Years On
Exuding rage, wit, colour, funk, antagonism, style, attitude, love and hate like steam rising f...
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Tome On The Range
Welcome To Dystopia: Dorian Lynskey's 1984 Playlist
The ingenious hosts of the Yacht Rock podcast came up with “George Orwave” to describe the para...
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Craft/Work
Fairism: Art Basel As Heterotopia
A week after being at Art Basel I was trotting along listening to Pete Seeger’s ‘Little Boxes’,...
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Tome On The Range
A Revolution In Sound: Inside The Polish Radio Experimental Studio
Bolesław Schaeffer’s graphic score for PR-I VIII, 1972. Collection of the Muzeum Sztuki in Łodź....
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Features
Things Learned At Mad Cool Festival
Live photograph by Alberto Ortega Beginning just a few years ago in 2016, Madrid’s Mad Cool ha...
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Baker's Dozen
The Weirder The Better: Buzz Osborne Of Melvins' 13 Favourite Records
Photo by Peter Alfred Hesse/Wikimedia Commons “Don’t quiz me on which thirteen records I picked...
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Three Songs No Flash
Frozen Warnings: Maxine Peake As Nico And The Roots Of Oblivion
Live photograph by Joseph Lynn 'Famous, but not popular' was the maxim often applied to Nico i...
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