A Quietus Interview:
Black Midi
Features
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Tome On The Range
But It's Completely Unrealistic: An Interview With Roy Wilkinson
Roy Wilkinson by Andrew Cotterill "I've got a few visual prompts here," announces Roy Wilkinso...
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The Lead Review
Life As We Know It: As Days Get Dark By Arab Strap
Photo by Kat Gollock First off, I've been a fan of Arab Strap for ages. Literally decades. Let'...
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Baker's Dozen
Wonder & Waveform: Hannah Peel's Favourite Albums
It perhaps speaks to the nature of the times that Hannah Peel’s newest album had a somewhat dif...
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A Quietus Interview
Visions Of The Country: Alison Cotton Interviewed
Alison Cotton tintype portrait by Andy Martin When people talk of music ‘transporting’ them so...
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Features
Anois Os Ard: Irish Underground Music For March Reviewed By Eoin Murray
The Gaelic festival of Imbolc signifies the emergence of light from the darkness, and the natur...
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Escape Velocity
Counterflow States: An Interview With Helena Celle
Helena Celle is part of Counterflows 2021, which runs during April Quietly it fades in, making...
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Anniversary
The Auteurs Sing Uber Hate: After Murder Park At 25
As an opening track, ‘Light Aircraft On Fire’ is a vicious, lip-curled statement of intent. Aft...
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Tome On The Range
Present, Tense: On Cake, Berlin & The Far Right With Musa Okwonga
Musa Okwonga is showing me his old smart phone. “Here it is!” he says, grinning, having dived b...
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Craft/Work
Welcome To Indulkana: The Wild Satire Of Vincent Namatjira
Vincent Namatjira - MCA Foyer Wall, MCA. credit: Daniel Boud “It only took 99 years” The quote...
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Tome On The Range
Something Kinda Ooh: Lesley Chow At The Limits Of The Lyrical
One could write the story of American contemporary music based largely on a history of “oohs”: ...
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Colin Webster
Aerosol Jesus
Loney Dear
Mouse On Mars
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