A Quietus Interview:
Black Midi
Features
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Craft/Work
Who Gets To Be The Artist? An Interview With Suzanne Lacy
Suzanne Lacy, Anatomy Lesson #4: Swimming, 1977 (detail); five colour photographs; (C) Suzanne L...
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Three Songs No Flash
Live Report: Saint Etienne Play Tiger Bay At The Barbican
Live photographs courtesy of Jamie Fry Some of the greatest pop music to emerge from the UK ha...
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Features
Anois, Os Ard: A Column About Irish Underground Music
The Irish undergrowth has never been more alive. You can hear it – a rustling, replete and vibr...
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The Lead Review
Trouble Everyday: Sirens By Kevin Richard Martin
“There is a problem”. If you have sat in a hospital or Doctor's consulting room and heard these...
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Columnus Metallicus
Columnus Metallicus: May's Heavy Metal Reviewed By Kez Whelan
Greetings riff addicts, and welcome to 2019’s busiest month for metal releases so far. Just as ...
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Strange World Of...
Channel-Surfing the Apocalypse: The Strange World Of... Daniel Higgs
Daniel Higgs plays Terraforma festival on Saturday 6 July The yggdrasil is the great tree of...
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A Quietus Interview
Boom Boom Pow: Black Midi Interviewed
Black Midi kick off an extensive world tour at Sea Change Festival this weekend Let’s step ins...
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Tome On The Range
Bible Burning: Sleevenotes By Joe Thompson Review, Extract & Interview
When I first became a music writer in 2003, it was a case of, ‘Jump in the river while holding ...
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Craft/Work
"We Know Nothing About The Future": HANNAH By Verdensteatret
In November 2016, the Norwegian artist collective Verdensteatret retraced their steps along the...
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Tome On The Range
The Great Fire Of London: Plume By Will Wiles
I had the contents of my pockets, which included my phone, my wallet and my Oyster card. The be...
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Pere Ubu
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