The Strange World Of...
Yoko Ono
Features
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In Extremis
Årabrot And Necromantic Norway: An In Extremis Special
Three of the finest records released anywhere on God's green-and-off-grey Earth in the past 12 ...
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Live Reviews
By:Larm Live Special: We Hail Deathcrush & Frisk Frugt
Deathcrush by John Doran Last Train, Friday Night/International, Saturday Night Last year’s B...
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Escape Velocity
Scaring The Spectators: An Interview With Suuns
If you thought that all music from Montreal post-Arcade Fire was going to be big, ornate guitar...
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A Quietus Interview
A Dream Interpretation: The Music Of The Penguin Cafe
The Penguin Cafe Orchestra formed nearly 40-years ago after Simon Jeffes had a vision of an Orw...
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A Quietus Interview
An Interview With Elbow's Guy Garvey
Even with all of Elbow's late-bloom success - Mercury gongs, Ivor Novello nods, giant arena sho...
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Track-By-Track
A Track-By-Track Review Of Radiohead's King Of Limbs
Here it is then: suddenly upon us, with a lack of promotional build-up that is, of course, the ...
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Rockfort
A New French Music Column: Turzi & Ray Bartok Examined
'Rock choucroute' is a humorous term but also a flexible one - a near-direct translation of 'kr...
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In Extremis
Unholy Matrimony: An Interview With Demdike Stare
Demdike Stare's music is concerned with opposing forces: decay and resurrection, loss and disco...
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A Quietus Interview
Ouija Board, Ouija Board: Bright Eyes' Conor Oberst Interviewed
In a humming Midwestern town in 1993, an old lady is in her house, praying the rosary. She feel...
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A Quietus Interview
An Unpublished Interview With Hunter S. Thompson
On 17th October 1998 I was highly fortunate to conduct a telephone interview with the lat...
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