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Baker's Dozen
Virtual Mentors: Arooj Aftab's Favourite Albums
Photo by Blythe Thomas When she was nominated for Best New Artist at the 2022 Grammys, Arooj Af...
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A Quietus Interview
Songs At The End Of The World: An Interview With HMLTD
Photos by Erika Denis-Febles “It really did come to me in a dream,” Henry Spychalski insists. “...
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Spool's Out
Spool’s Out: Cassette Reviews For April By Daryl Worthington
PAL The narrative of Alan Moore’s short story ‘Illuminations’ steps out of calendrical time. Co...
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Escape Velocity
Happy Accident: An Interview With Lunge
It’s 11am on a Tuesday morning and Mark ‘Arp’ Cleveland is finishing his breakfast; a Kinder Bu...
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Remember Them...
An Ode To A Poet/Pervert: DM Thomas Remembered
Portraits courtesy of DMThomasOnline.net “Is it surprising that I’m terrified of art? Not that...
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Subscriber Area
tQ's Exclusive Monthly Round-Up Playlist: March 2023
Photo by Maria Jefferis As part of your many, many perks for becoming a Quietus subscriber, we'...
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Craft/Work
Workers Of The World: Harun Farocki Leaves The Factory
Harun Farocki, Georg K. Glaser - Writer and Smith, 1988. Installation view Cooper Gallery “In o...
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Tome On The Range
Neither Reality Nor Memory: Aida Amoako On Black Artists' Use Of Found Materials
Délio Jasse, Pontus, 2012 © Délio Jasse. Courtesy the artist and Tiwani Contemporary In his ong...
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Quietus Charts
Music Of The Month: The Best Albums And Tracks Of March 2023
I don't think I can remember a month when, considering what to include in this column and askin...
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Subscriber Area
The End Is Nigh: An Interview With UKAEA
Photo by Simon Milner To receive our Spring Equinox release Birds Catching Fire in The Sky by U...
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Wolf Eyes
Pere Ubu
Moni Jitchell
JAAW
Marta Salogni & Tom Relleen
The Pigeons
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