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Paul Flynn On Hi-NRG
Features
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Album Of The Week
Tunes Of The Gods: Eris Drew’s Quivering In Time Is A Long Strange Trip
"I would love to introduce my girlfriend and my favourite DJ in the world, Eris Drew!" Octo Oct...
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Baker's Dozen
Constant Companions: Matt Johnson's Favourite Albums
Photo by Christie Goodwin When Elvis Presley recorded his ’68 Comeback Special around Christmas...
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Hyperspecific
Hyperspecific: Dance Music For October Reviewed By Jaša Bužinel
Salamanda As Shawn Reynaldo discussed in his recent First Floor newsletter, in 2021 we are cel...
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Craft/Work
“We Get Ear Worms, But Do We Get Eye Worms?” An Interview With People Like Us
“Sometimes it is good to have contrast and sometimes synchronicity - both have roles in the dyn...
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Low Culture
Organic Intelligence II: UK Breakcore
DJ Scotch Egg We’re not luddites, we just feel you deserve better than some unsatisfying algor...
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Features
Anois, Os Ard: October In Irish Underground Music By Eoin Murray
Eimear Walshe's THE LAND FOR THE PEOPLE (2021) Neon installation on the National Sculpture Fact...
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Anniversary
Gutted, Hashed and Deboned: Necroticism: Descanting the Insalubrious By Carcass At 30
To push back a genre label is, all too often, a reliably generic move by artists desperately se...
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Features
New Weird Britain In Review For October By Noel Gardner
Genevieve Murphy First up this month, one of my rarer-than-I’d-like-actually dips into the UK ...
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Three Songs No Flash
After The Break: Unsound 2021 Reviewed
All live photographs courtesy of Unsound, and burning piano photograph by Helena Majewska Don't...
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Tome On The Range
The Real Thing: Hip Hop Vs Television
Besides death metal, does any genre carry more weighty connotations than reality rap? Sure, mos...
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