A Quietus Interview:
Black Midi
Features
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Anniversary
Unnatural Blues: How Moby’s Play Predicted The Collapse Of The Music Industry
In the two decades since its release, Moby’s Play has been many things: the epitome of late-cap...
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Features
Best Of The Season: Counterflows Festival Reviewed
All photographs by Dawid Laskowski If a megabucks commercial music festival is the equivalent ...
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Tome On The Range
The Whitey Album: Bret Easton Ellis Runs Out Of Steam
Bret Easton Ellis has a problem: the current moment. He can’t be having it and so instead of gi...
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Tome On The Range
From Ballet To Sex & The Pistols: How Jordan Became The Face Of Punk
In 1973, four years before she was slapping on Mondrian-style face paint, managing and performi...
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Craft/Work
Honey, I Shrunk The Art: Miniscule At Venice
Picture credit: ‘My breath in your hands’. Porcelain and algae by Venetia Nevill Miniscule Veni...
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Anniversary
Bitter Sweet: The Blue Album By Weezer Revisted
I have a sweet tooth. There's a particular combination of sounds that I find appealing, almost ...
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Rum Music
Disconnection Commands Attention: Rum Music With Russell Cuzner
There is no internet in the Rum Music Library. The labyrinth of listening rooms no longer links...
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The Lead Review
A Greater Coming Together: Holly Herndon's Proto
Holly Herndon by Boris Camaca “Amidst a lot of misleading AI hype, it communicates something ho...
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Three Songs No Flash
Things Learned At Motel Mozaique Festival
Pictures courtesy of Jan Rijk Bright Lights Big City / Cool Cool People Rotterdam is often re...
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Baker's Dozen
Amorphous Choices: Mira Calix' Favourite Music
If you love music feverishly, enjoy exploring its shape-shifting powers, and would willingly dr...
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Jane Weaver
Nathan Micay
Charles Hayward 
Various
Madonna
Radiohead
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