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Features

Craft/Work
Life Lines: Benjamin Owen’s New Vocal Club
“When I get up in the morning, I talk to myself to make sure that I’m still here,” says an elde...
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Tome On The Range
Through Thick And Thin: Miki Berenyi On Lush And Loss
Before starting a band, described by 1989’s Melody Maker as “archetypal and weird”, Miki Bereny...
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Reissue Of The Week
Reissue Of The Week: Ride's 4 EPs
Backstage at the Riverside Newcastle, sometime in the spring of 1990. Somehow, I’ve snuck in, t...
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Low Culture
Low Culture Podcast: An Eerie November Edition
It's the November edition of the Low Culture podcast and Luke and John are finally together aga...
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Features
A Guide To Le Guess Who? 2022 By Richard Foster
Photo by Melanie Marsman The only constant in life is change. The hoary old epithet can be appl...
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Album Of The Week
Rip It Up And Start Again: Special Interest’s Endure
Photo by Alexis Gross Special Interest's marriage of ideas from punk and dance music has always...
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Features
Love Never Dies: The Beatles' Revolver Revisited
‘London swings… it is the scene,’ declares TIME magazine’s 15 April 1966 cover story. The most...
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Three Songs No Flash
Space-Time Dilation: Semibreve 2022 Reviewed
Drumming GP and Burnt Friedman, photos by Adriano Ferreira Borges / Semibreve Time advances une...
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A Quietus Interview
Nature Is Reeling: Adrian Utley On Arcadia Live
A still from Arcadia Paul Wright's 2017 documentary Arcadia is a haunting exploration of Britai...
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Columnus Metallicus
Columnus Metallicus: Heavy Metal For November Reviewed By Kez Whelan
Vacuous As committed as I am to funnelling new music into your ears every other month, sometime...
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