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Features

Baker's Dozen
Films for Big Eyes: Charlemagne Palestine’s Baker’s Dozen
Not many people know that before Charlemagne Palestine established himself as a composer and pe...
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The Lead Review
Destructive Urges: Debby Friday's Death Drive
As a society, we’ve all pretty much agreed that the world will probably end soon. How soon is d...
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Three Songs No Flash
Beacons Of Light: Green Man 2019 Reviewed
Photo by Eric Aydin-Barberini There’s a gorgeous spot on the B4560 that overlooks the mountains...
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A Quietus Interview
Pipe Down: Tashi Wada Interviewed
Portrait by Felix Salazar In addition to challenging lovers of vowels the world over, the FRKW...
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Three Songs No Flash
Fort Knocks: Things Learned At La Route Du Rock
Stereolab by Nicolas Joubard The “Rock” In La Route du Rock Isn’t An Anachronism The first ...
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Craft/Work
Platform Shoes: Emerging Artists In Sheffield
Yuen Fong Ling installation image. All photos, credit: Jules Lister The 2019 iteration of Sheff...
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Tome On The Range
No Place Like Home: Ian Penman's Curving Tracks
Image courtesy of Ian Penman For the poet WH Auden, whose 1958 poem ‘Walks’ gives this slim but...
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The Lead Review
Bodies That Matter: Sleater-Kinney's Visceral New Pop
William Butler Yeats and his view on a ravaged, post-war Europe provides the Spiritus Mundi fro...
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Three Songs No Flash
Battles Live At The Shacklewell Arms
Battles live by StarLynn Jacobs The first time I saw Battles play, at the long since defunct B...
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A Quietus Interview
The Oblong Of Dreams: Bill Ryder-Jones On The Wirral
Photos by Ki Price The Wirral. The Leisure Peninsula. The Oblong of Dreams. The ‘other side’ of...
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