A Quietus Interview:
Black Midi
Features
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Tome On The Range
A Person Of Interest: Kevin Breathnach's Tunnel Vision
What have you missed out on? Blind spots, lacunae, field defects in your cultural attentiveness...
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Craft/Work
Artist-Run: Modern Finance At Thames-Side Studios
London artists Howard Dyke and Mike Gittings take on South London’s 2,600 square foot Thames-Si...
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Tome On The Range
Popular Front 2.0: An Interview With Paul Mason
“I’ve just started learning to play the bouzouki,” Paul Mason tells me as I start by explaining...
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Baker's Dozen
Unknown Pleasures At 40: Our Favourite Artists On Joy Division's Debut
Joy Division's debut Unknown Pleasures is turning 40. In the time since its release on Factory ...
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The Lead Review
Lonesome Valley High: Bill Callahan's Shepherd In A Sheepskin Vest
“I’m crawling through the desert/Without water or love”. So goes ‘The Desert’ by Smog, Bill Cal...
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Anniversary
Running Free: Looking Back 40 Years To The Birth Of NWOBHM
Venom Earlier this year, I was in a backstreet bar in Bangalore with Nolan Lewis and Ganesh Kr...
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A Quietus Interview
Emotional Science: Eartheater On Teaming Up With Semiconductor For Outlands
Eartheater, photo by Samantha West This week, the Outlands Network, one of Britain’s most essen...
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Baker's Dozen
One Vision: John Robins' Favourite Albums
Who does John Robins think he is? It's a reasonable question, and one which is likely to leap i...
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Beyond The Hits
The Cure: Beyond The Hits
’In Your House’ (1980) from Seventeen Seconds Like many of The Cure’s best songs, the bass is ...
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Features
A Long Tail: Don Cherry's Brown Rice Reviewed
In 1975 trumpeter Don Cherry gathered some of his most trusted collaborators for sessions in Ne...
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